Posted in August 2009

Grows on trees

I have had one lone moment of entrepreneurial inspiration in my life. When I was eight or nine, me and a friend realised her house was located next to a prime natural resource in the primary school economy: a huge conker tree. We devoted long after-school evenings to filling carrier bags with the glossy brown crop. We sorted and graded our goods. And then we took our conkers to school and we sold them.

conkers

Obviously, selling conkers is absurd – and I remember other pupils telling us, disgustedly, that they could pick up conkers for themselves. All the same, lots of children bought ours. Because they were there and ready to use at breaktimes? Because other children were buying them too? I have no idea really – like I said, this was a very uncharacteristic moment of nous – but for several days the conker-trading went on successfully.

Then, some other children decided to set up a rival conker operation. At this point, a real entrepreneur would have brought on the corkscrew and bootlaces (to offer a service angle, not to shiv the competition) or diversified into another product altogether. Instead, I got into a snit about losing my conker monopoly and left my now-devalued harvest to moulder in a garage; shortly after, the headteacher put a stop to the whole black market in vegetable matter.

Conkers are wildly accessible commodity, but in the right circumstance and to the right people, they were saleable – even if my tiny startup was not designed to withstand an open market. And what did I learn from this experience? Nothing, apparently: if you want to make my pre-teen experiment in capitalism into an allegory for journalism and paid content, then I am currently a horse chestnut, hurling my fruit at the floor for someone else to pick up and value. At least, I suppose, I’m doing what I’m best at.

© Sarah Ditum, 2009. Photo by Balakov, used under Creative Commons.

Tagged , ,

Weekend roundup

This week on Paperhouse: I’ve been assessing Liz Jones’ contribution to the conventions of casus belli; celebrating new and brilliant movie mag Filmstar; checking out some of the different charging options newspapers could choose from; and looking at how newspapers and advertisers try to wrangle round the separation of ads and editorial. I also got my first piece up on Comment Is Free at the Graun, and was almost disappointed that a comment thread about abortion failed to go screamingly uncivil.

The top five most read posts for the last seven days are:

  1. Stitched up (thanks to a link from a terrific post by Anton Vowl)
  2. The Liz Jones theory of just war
  3. Mirror’s Edge: Seeing Is Believing
  4. Filmstar issue 3
  5. About Sarah

And I’ve been listening to the first thing Tom Ewing listened to on headphones: “It was the most exciting sound I had ever heard. Still is.”

© Sarah Ditum, 2009

Sell sell sell

Up until the recent recession, it was advertisers who paid for most of your news. Not all of it – the cover price of the newspaper covered some of the costs, and of course there’s the BBC – but publishing was able to be a truly profitable business because of advertisers paying for access to readers. And the more trusted and reputable the journal, the more valuable it could be as a vehicle to advertisers.

Why does your English let you down?

Some of the most successful ads piggyback on a newspaper’s style like mutating parasites, to borrow even more of the hosts authoritative gloss. Earlier this week, the Guardian celebrated the “Does your English let you down?” ad, which has been running pretty much continuously for almost 50 years. “Initially the reader thinks it’s part of editorial,” says Bob Heap of the Practical English Programme: “We used to match the typefaces of the newspaper it was printed in.”

Advertisers can also pay for a newspaper or magazine to produce ad copy in the house style of the journal – advertorial. Whenever this appears, it should always be clearly marked out from the editorial, both to avoid misleading the reader and to protect the paper or magazine’s reputation from corruption. In Free, Chris Anderson compares this approach to the relevance practiced in online ads – which deliberately places ads next to content on the same subject – and wonders whether print editors are over-punctilious about distinguishing ads from editorial:

It’s also entirely possible that we in the traditional media business have it all wrong.Perhaps we are just flattering ourselves with our church-and-state pursuit of purity, and readers don’t care or even notice if a Sony ad is next to a Sony review. Perhaps they would even prefer that and it’s our writers who are the real obstacles, afraid that anyone might think that their opinion has been bought.

Chris Anderson, Free (Random House Business, 2009), pp. 138-9

What’s interesting is that Anderson doesn’t place any value on ad/ed separation as a way of preventing influence, only as a way of preventing the appearance of influence: as far as he’s concerned here, if the reader doesn’t perceive a problem, then there is no problem.

Advertisers, on the other hand, are very conscious of a relationship between the ad and the copy. The presence of illegitimate, ramshackle and unwholesome material has been cited as one of the reasons for the reluctance to sponsor YouTube; the same caution might be about to be extended to newspaper comments sections, as advertisers weigh up the high engagement seen in unmoderated comments sections with the fact that most of the engagement is with racist, vituperative loons.

But just because advertisers seem to agree with some of the principle behind the “Great Wall of China” which Anderson describes, they don’t all necessarily agree with his idea of best practice – and nor do all newspapers, it turns out, since the Express has been nailed by the ASA for running specious “news” copy on a bunch of dubious-sounding CAM treatments alongside adverts for the same products:

The ASA said the articles were “always and uniquely favourable to the product featured in the accompanying ads and contained claims that have been or would be likely to be prohibited in advertisements”.

“We considered that the average reader would have understood the entire page to be a feature on the product, no matter the distinct styles of the top and bottom of the pages,” said the ASA in its ruling.

“We considered that by using that approach the publisher and advertiser were intentionally attempting to circumvent the [advertising] code by asserting the top of the pages were not advertising.”

The Guardian, “ASA raps Richard Desmond’s Express Newspapers over advertorials”

(Interesting, as ever, that it falls to the ASA rather than the PCC to correct a practice in which the paper appears to be as culpable as the advertisers.)

Advertising still needs editorial, and editorial needs advertising as much as ever, but they can only have any value to each other if both maintain a basic propriety: whatever financial gain the Express and their advertisers took from this arrangement has probably been wiped out by the loss of reputation both parties brought upon themselves.

Edit 19 August: The ASA’s full judgement is here.

© Sarah Ditum, 2009

Tagged , , ,

Into the money-making tent

tents crop

Simon Jenkins thinks that newspapers need to get into the festival business if they’re to continue. Alright, he doesn’t really think that: he’s arguing that newspapers can charge readers for the privilege of belonging to a brand (and he seems to be speaking for a chunk of his newspaper’s policy, as Liberal Conspiracy reports that the Guardian is looking into some sort of freemium members club).

That’s one side of the extra value that could entice readers to pay for their news. The other side is convenience – and on the Monday Note blog, Frédéric Filloux gives a quick breakdown of why news on your phone could be a service worth paying for. Mobile is the perfect vehicle for the micropayments some proprietors are itching to charge, because users are accustomed to paying a monthly bill already: whatever tiny fee the newspaper settles on per issue, or per article, could be gently folded into the direct debit at no extra hassle to the reader.

It’s not clear yet what the Sunday Times is going to offer their customers in terms of either convenience or community when they begin their paywall experiment. And, as this Radio 4 profile on James Murdoch points out in passing, the current chief executive of News Corp doesn’t have a sterling background in online: “He’s reputed to have persuaded Rupert to invest in a number of internet ventures which resulted in significant financial losses.”

It’s not enough to just decide that people should pay: you have to convince them that they’re getting something superior for their money. When we know what the Sunday Times is planning on charging for, we’ll have a better idea of whether it’s worth it – but whatever they offer, it will surely have to be something better than their current website with a moat dug around it.

© Sarah Ditum, 2009. Photo by frozenchipmunk, used under Creative Commons.

Tagged , , , , ,

Filmstar issue 3

A couple of months ago, I was talking to a friend about whether there was space for another film mag on the market. Something with a left-field approach that would differentiate it from the the blockbuster coverage offered by Empire and Total Film. Something with a passionate, knowledgeable approach – but falling to the populist side of Sight And Sound or Little White Lies. I would (and do) buy all of those titles, but it still felt like there was a gap in there for some smart publisher to get established.

Filmstar cover

And now, that gap has been filled by Filmstar – and I’m writing for them. So are lots of other people: Filmstar is heavingly stuffed with words about films. Everything gets a review. There are seven or eight in-depth features, the recurring features are similarly detailed, and it all comes over in the style of a conversation with a friend who knows (and loves) everything about movies.

But just because it’s text-heavy doesn’t mean the look has been neglected. Art editor Karl Jaques has given it a super-sharp design that balances all the content brilliantly, with smart little touches that hold everything together. In the main features, for example, each one gets a slightly different font for the page furniture. Lars von Trier is a cheery-sinister grunge typeface; Inglourious Basterds is an uncompromising sans-serif on searing red; and (my favourite) a feature on serious-comedy movies gets a big-top treatment. You also can see in the thumbnails the way that colour is used to set the tone of every feature (obviously, the Antichrist spreads are as black as the pit of von Trier’s soul).

Lars von Trier FS3 Basterds FS3 Kinds Of Comedy FS3

In Filmstar 3, I review Norwegian zomcom Dead Snow (and interview the director), art-house recreation of 70s skinflicks Viva, Michael Moore polemic Slacker Uprising, noodle romance The Ramen Girl, bleak and witty Turkish morality tale Three Monkeys, and (yes!) Robert Pattinson gay-off Little Ashes.

Tagged , , , , ,

Comment Is Free: Blond’s witless take on abortion

Comment Is Free has published my response to Tory philosopher Phillip Blond’s statements on abortion:

More than anything, Red Toryism – the paternalistic credo with an eye on fixing our (allegedly) “broken society” – wants you to like it. The main proponent of Red Toryism is Phillip Blond, and in his interview with the Guardian over the weekend, he was quick to temper his anti-abortion rhetoric with some pro-lady noises. “For me,” says Blond, “women who choose not to have abortions are among the most moral creatures on these shores.”

I was at the beginning of my second year at university when I found out I was inconveniently and unexpectedly pregnant. I chose not to have an abortion, which I guess puts me in Blond’s awkwardly sentimental category of “moral creatures”. So, from the position of unearned ethical authority into which I have been corralled, perhaps I can explain exactly what is wrong with his argument when he says that “by and large, [abortion] should become an unacceptable practice. I would probably want to limit it to only the most extreme cases: rape, or when someone was very young, or incest.”

Read the rest here, and let me know if you brave the comments.

Related: Paperhouse, “Think of the children”

© Sarah Ditum, 2009

Tagged , , , ,

The Liz Jones theory of just war

I’m not saying that Liz Jones is shallow, and spending a week in a burqa is more than I’m willing to do in the name of journalism. For one thing, I’m not going to risk the rickets. But is she absolutely sure that the right to wear a strappy top is so important it should be defended with the full force of the UK’s military? Has she really and completely thought through the politics of invasion?

In Afghanistan, the burka is known as the ‘chadri’; it became common only when the Taliban came to power.

When I think of the young men who have died fighting the Taliban and the calls to end a war that has ‘nothing to do with us’, I think of how I felt in my mobile prison and remember that, for all those women forced to hide their faces and their bodies, their fight is our fight, too.

The night I finally took off my burka, I wanted to put on make-up, spaghetti straps and the highest shoes I own. All week I’d been wearing scent, so compelling was the need to be feminine.

The Mail, “Liz Jones: My week wearing a burka: Just a few yards of black fabric, but it felt like a prison

© Sarah Ditum, 2009

Tagged , , , ,

Weekend roundup

cash, paid out, no sale by Thomas HawkEadyFrontline and TribuneDifference enginehitler moustache

This week on Paperhouse: I’ve written about the trend for journalists to come from wealthy backgrounds and how that might affect what gets written and published; a new and brilliant broadsheet and a relaunched and brilliant news magazine; the value of news and comment for papers; how I fell out of love with The Observer; what happened at Richard Desmond‘s libel trial; and the ways in which news is and is not like a bagel, and what that could mean for the introduction of paywalls.

These are the top five most-read posts from the past week:

  1. Making the difference in reporting
  2. Save the Observer, 2003 edition
  3. Mirror’s Edge: Seeing Is Believing
  4. Eady’s errors
  5. Stitched up

And I’ve been listening to rattle-and-moan merchants of musical collapse, Royal Trux. See you after the weekend!

© Sarah Ditum, 2009

Tagged

Can a paywall pay for News International?

cash, paid out, no sale by Thomas Hawk

Lots of people will voluntarily pay for things they could take for free. In Freakonomics, Steven Levitt gives the example of a bagel seller who left baskets of bagels in workplaces, with unmonitored cash boxes alongside so people could post in the small price of the bagels they ate. And most people paid – the payment rate hovered just under 90%.

As Levitt points out in the book, there were plenty of influences on that behaviour. For example, the bagels were left in staff canteens, so any potential bagel thief would have to weigh the value of the bagel against the cost to their reputation if they were caught thieving. But, despite what we might expect about other people’s propensity to steal, the bagel guy was able to build a business on the honesty of the vast majority of people.

Having the option of free doesn’t mean necessarily mean that consumers will become totally averse to paying. (And sometimes, the keenest consumers of free are also the most willing to offer their money.) So the existence of masses of free news content – and the ease with which paid content can be copied and converted to free, especially in the case of text-based information – isn’t necessarily fatal for the Murdoch plans to charge for access to all News International websites, starting with the Sunday Times.

Obviously, there are lots of ways in which the news is not a bagel. It’s not a physical commodity, for one thing, so people may feel less uncomfortable about taking without paying; online news is also something that’s taken in private, on your own screen – so even people who’d never self-identify as an information warrior can enjoy a little piracy without being seen. Still, the evidence from music suggests that though people expect to pay less for a digital product, and sometimes to pay nothing at all, they still pay for some digital products, some of the time.

There will always be more leakage of a digital product, but when the distribution overheads are so low, the losses can probably still be absorbed at a relatively low price-point. And besides, finding pirated material can be a pain – it often has to be hidden from copyright holders, which means it has to be partly hidden from potential users too. Many people would rather skip the annoying search and go straight to the source. Of course, News International won’t be happy to leave their profits at the mercy of other people’s convenience, and you can expect the company to partner its paid model with more aggressive copyright lawyers and lobbying for legal changes in their favour.

That’s one reason for considering that news piracy might not be enough to do in the Murdoch plan, but what about free competition? The Times has already stepped up its agitations against the BBC’s free-to-access service, so it’s clear that it’s considered a threat within News International. And free services probably will consume the demographic of people who only want information, and who are satisfied with the information they can get from free sources. But buying a paper has alway entailed buying into the paper too – people choose the brand as well as the content.

If the Sunday Times can persuade enough people to think of themselves as “Times readers”, it can probably retain them as readers. And if it can do that while offering attractive content – not just original and high quality journalism, but an attractive and adaptable interface too – then it may be able to attract plenty of less attached subscribers too. (The problem for the Sunday Times is that, for this to work, the paper will have to be both better than, and different from, all its free competitors – and at the moment, it just isn’t.)

These are my reasons, anyway, for being wary of damning the paywall experiment too soon. I think it can work. Whether News International is the company to make it work, I’m less certain. They’ve got all the failures and limitations of any news organisation that grew up with the privileges of paper – but then, as Mark Pack points out, Rupert Murdoch’s always been good at making money out of news, and if he’s experimenting with payment models, it’s because he’s got even better reasons than bagels for thinking it will succeed.

© Sarah Ditum, 2009. Photo by Thomas Hawk, used under Creative Commons.

Eady’s errors

Richard Desmond can take heart. Someone comes out of his disasterous libel action against Tom Bower looking worse than he does, and it’s the judge.

Eady

The Guardian reported shortly after the trial ended that Eady was criticised by the appeal judges for his decision to block certain evidence from trial (specifically, a tape of Desmond telling a hedge-fund manager with whom he was in dispute that he would be “the worst fucking enemy you’ll ever have” three days before a defamatory article appeared in the Express). This week’s Private Eye (1242) gives the case in more detail, and it sounds even more like a near-disasterous example of judicial mishandling.

From the Guardian:

One of them, Lord Justice Pill, said: “In this case it appears to me that, with respect, the decision of Mr Justice Eady in context was plainly wrong.”

Lord Justice Hooper went further: “Unless the court interferes, the jury will not hear evidence, the absence of which in my view might lead to a miscarriage of justice.

“In my view, this is not a case of interfering with a case management decision or interfering with some discretionary decision of the judge. It is taking steps to ensure that a possible miscarriage of justice does not occur.”

Lord Justice Wilson also agreed the tape should be heard: “The risk that, without access to the tape, the jury might reach a false conclusion about the existence of a grudge and the genesis of the article relating to Pentagon [Omid's fund] is substantial.”

Guardian, “Judge rebuked by court of appeal during Richard Desmond libel case”

The Eye adds that Eady excluded the word “pornography” from the courtroom, making it easy for Desmond (who apparently resents being associated with the word) to deny that he took any offence to a Telegraph article on his porn interests. (In the end, Bower’s QC got Eady to allow the p-word to be mentioned.) The discontent of the appeal judges is also explained: Eady ignored original guidance that the tape should be admitted and then attempted to exclude it on the grounds of avoiding “delay” before getting the ultimate telling-off.

However, even when forced to admit the evidence, Eady’s conduct remained unimpressive. The Eye continues:

If [the appeal judges] had found otherwise, Bower would have had strong grounds for appeal, since Eady’s summing-up was littered with misrepresentations and mistakes. At one point, perhaps in a fit of absent-mindedness, he even read out to the jury a passage from a witness statement by Conrad Black which he himself had ruled inadmissable.

Private Eye, “Desmond v Bower” (issue 1242, p. 6)

The damage to Richard Desmond’s reputation from this is minimal: the failed libel action only confirms what was already universally known about him. Eady, though, might be in greater difficulties. Private Eye concludes by wondering whether he’s due to be pushed into retirement – and there are consequences, too, for the understanding of other libel cases with which he’s been involved (including BCA v Simon Singh) which have often seemed overly-sympathetic to the plaintiff. If Eady is due to be removed, we might finally find out to what extent his judgements are down to personal caprice and error – and how far he’s simply been enacting the law.

See also: “How Judge Eady went from press villain to hero”, by me at Liberal Conspiracy (complete with erroneous promotion of Eady to “Lord”).

© Sarah Ditum, 2009

Tagged , , ,
Follow

Get every new post delivered to your Inbox.

Join 2,769 other followers