Posted in October 2009

Running rings round Carter-Ruck

rusbridger statusDid the Guardian game Trafigura and Carter-Ruck? Because if they did – and did it with the assistance of one MP, a clutch of bloggers, and Twitterers of every political conviction – then they did it brilliantly.

Pretty much all of the information that Carter-Ruck sought to smother is now better known than it ever would have been from a normal below-the-fold Guardian front page story. The injunction on mentioning the parliamentary question on the Minton Report has been lifted, and gagging orders have gone from being a  pernicious journalistic niggle to a lead item. It has given the Guardian a compelling unfolding story, attracted virtually universal positive coverage for the paper, and opened the way for a widely-supported campaign against abuses of the legal system.

Jack of Kent says of the initial report of the case in the Guardian, “I thought it a carefully worded article, almost like a crossword clue.” In other words, anyone who had the interest and the inclination could match the information in the parliamentary record with the information provided by the Guardian, and work out which question they weren’t allowed to report on. Plenty figured it out, and by the time I caught up with the story, Richard Wilson (like several other bloggers) had published the question on his own blog.

The question came from Paul Farrelly – who is, I learnt via Aaronovitch Watch, a former Observer employee. The Legal News column in the most recent Private Eye mentions that “one MP hopes to break the conspiracy of silence, under parliamentary privilege, when the Commons reassembles.” If that “one MP” is Farrelly, then he probably figured beforehand (maybe in concert with his former colleagues, and maybe not) that a gag could be just as productive as a publishable answer in exposing Trafigura and Carter-Ruck.

From the time the Guardian published its first non-coverage of the parliamentary question on its website, the paper played the whole thing perfectly. Editor Alan Rusbridger was active on Twitter, along with most other Guardian hacks, following the hashtag activity and encouraging supporters to tweet and retweet on the names and links that made the story.

Was it the Twitter wot won it? It’s impossible to know how the case would have  been decided without a tweet campaign, and perhaps the original injunction would have been overturned on appeal anyway. Still, it seems likely that the presence of #trafigura and #carter-ruck in Twitter’s trending topics would have been taken as evidence that the injunction was both useless and counter-productive. Print media brought the information and supplied the authority to stand it up; social media ensured that the coverage didn’t freeze in legal chill.

Trafigura and Carter-Ruck are the perfect opposition for a cause like this, because they’re easy to pick out as villains and there’s little collateral damage. If similar activity lead to, say, the widespread revelation of Maxine Carr’s new identity or the naming of defendants in a case of child abuse with living victims, I’d think the outcome much less peachy. But the UK legal system is currently being gamed into submission by organisations who don’t just have something to hide, but also want to hide that they’re hiding anything. This time, the Guardian outplayed them.

** EDIT Updated at 23:41, 13 October to clarify status of injunction on Minton Report. **

** Update 19 October 2009 ** The Guardian’s investigations editor, David Leigh, has tweeted a link to this post, describing it as “interesting” – which I’m hoping can be taken to mean “not hideously wrong”.

Text © Sarah Ditum, 2009

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Dispatches filmaker criticises Newsbeat

The director of the Young, Nazi And Proud documentary has commented on BBC Newsbeat’s handling of the BNP. David Modell met Mark Collett in 2002 and recorded him expressing admiration for Hitler and the Nazis, hatred of black people, and “twisted homicidal fantasies”. Modell is severely critical of the level of preparation and standard of questioning shown by the BBC’s journalists:

“Mark and Joey” would have loved the broadcast interview. Their roles in the party were never explained to the listener, so they were able to appear simply as representative party members. Collett’s confession of Nazi sympathies was never even referred to.

The interview was typical of the sometimes flawed reporting of the BNP when the BBC engages its representatives in mainstream broadcasts. The BNPs heritage of neo-nazism and position in the “white supremacist” movement is often not understood by poorly briefed reporters, who conduct interviews in a format designed for credible politicians.

In the case of the Newsbeat interview the lack of depth is even more inexcusable as this was clearly prerecorded and edited, so there should have been time for proper research and scrutiny.

I would never argue that we should not allow the BNP airtime. But reporting the organisation has to be done with great care because of the distress and damage it has the potential (and the will) to cause. Failure to do so risks collaborating in the dissemination of a destructive hatred.

Channel 4 News, “Dispatches: Young, Nazi and Proud”

Text © Sarah Ditum, 2009

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More pressure on the BBC over Newsbeat BNP feature

Newsbeat BNP grabNewsbeat’s dereliction of editorial responsibility in reporting the BNP has become a story in its own right. Both Welsh secretary Peter Hain and shadow culture secretary Jeremy Hunt have criticised the BBC, and the Mail On Sunday made it their front page yesterday. (Roy Greenslade gives more background on the development of the story on his blog.)

So far, the BBC has failed totally to offer an acceptable response to this lapse. Both the editor of Newsbeat and the BBC’s chief politics adviser have defended a piece of journalism so weak it amounted to little more than handing the airwaves to senior BNP members for them to expound fallacious and hateful opinions. Clearly, this is inadequate journalism, and it demonstrates a serious flaw in the way BBC News has interpreted its commitment to truth and accuracy.

The BBC Trust has just opened a public consultation on the corporation’s editorial guidelines. That means the Trust is waiting to hear from viewers and listeners about issues like Newsbeat’s lousy interviewing – if you fill out the questionnaire, I’d recommend paying special attention to section one on “Accuracy and Impartiality”. If you love the Beeb like Charlie Brooker and would do “anything to keep it running”, this is probably better than mass murder as a way of addressing one of those “dumb things” the corporation sometimes does.

Text © Sarah Ditum, 2009

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[Filmstar] sleep furiously

Sleep Furiously cover

That arrestingly contradictory title? It’s taken from a linguist’s game, devised by Noam Chomsky as an example of a grammatically correct but meaningless phrase: “colourless green ideas sleep furiously”.

This quiet, rhythmic, carefully-observed documentary of rural life in Wales seems absurdly far from such academic exercises – the hill-farming community of Trefurig it observes is embedded in everyday realism. Villagers debate the closure of the under-subscribed local school. Cakes are baked. Sheepdogs compete in trials. Calves are delivered in a slither of blood and mucous.

But this is an imperilled community, desperately close to becoming as non-existent as Chomsky’s colourless green ideas. The residents are mostly elderly, and the services which bind the community are astonishingly fragile: even the sign posts are falling apart. That accounts for the sleepiness.

The fury comes out in moments of small desperation, such as the frantic snuffling of newborn piglets, or the dust and ghosts of an abandoned farm. Time-lapse photography and the lack of a storytelling narration are reminiscent of the Koyaanisquatsi films, and the Aphex Twin soundtrack has a similar elusive expressiveness to Philip Glass’ work – but this is a film that gets close enough to its subjects to show their faces. Remarkable, beautiful film-making.

Text © Sarah Ditum, 2009

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Death Ray and Filmstar fold

Blackfish logoDeath Ray and Filmstar magazines have closed, as Blackfish Publishing splits from their parent company Rebellion. According to a press release issued by managing director Matt Bielby, the current issues of both magazines (Death Ray issue 21, and Filmstar issue 5) will be their last.

I liked Blackfish’s magazines, and I wrote for Filmstar: even among strong competition, I felt that Filmstar was an impressive title, and it’s more than self-interest that makes me sad to see it go. The editors I worked with were great, and I’m proud of the pieces I wrote for them (I’ll be adding all my film reviews to the Paperhouse archive over the next few weeks).  There are plenty of reasons why a publishing venture might not work out, but for Blackfish, it definitely wasn’t a failure of quality. Over the fold, the press release in full: Continue reading

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The Media Show on reporting the BNP

Newsbeat BNP grabRadio 4′s Media Show took on the issue of how the BNP should be reported, with debate between Mehdi Hassan of the New Statesman and Ric Bailey, chief adviser on politics for the BBC. (Listen again link on this page, starts around 7:50, the listener’s email came from me, and that’s not how you say my name…)

The conversation was sharply focussed, and Hassan effectively undermined Bailey’s defence of the Newsbeat broadcast: the point about “Joey and Mark” being senior BNP activists (rather than just  ”young supporters” as Newsbeat identified them as) was well made, and so was the explanation of NUJ guidelines on covering the BNP.

What disappointed, though, was how impervious Bailey appeared to be to criticism. When Hassan points out that the interviewees claimed Ashley Cole wasn’t born here, Bailey retorts:

I don’t think he did say that

– which is true in the very narrow sense that neither interviewee used that exact phrase, and otherwise completely false. In the transcript, Smith says,

If he [Ashley Cole] wants to come to this country and he wants to live by our laws, pay into society, that’s fine

clearly (and wrongly) implying that Ashley Cole was born outside the UK.

Bailey stuck grimly to the ideas that “the listeners can make up their own minds” and “the BBC cannot make judgements about the BNP in a way that is inconsistent with the way it treat other parties”. Neither of which in any way diminishes the corporations’s responsibility to challenge misleading statements, or excuses the broadcast of hate-feeding listener comments in response to the interview.

Ultimately, Bailey largely repeated what was fallacious in Rod McKenzie’s answer: he defended the need to report on the BNP, without acknowledging the ways in which a specific instance of that reporting can be flawed. Like Hassan, I’m not an advocate of “no platform”. The BNP, their policies and their member’s activities should all be challenged and debated in public. But the default assumption in much of the media seems to be that any platform can be acceptable journalism – even one as feeble and cosseting as the Newsbeat item.

Text © Sarah Ditum, 2009

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Unsatisfaction: Newsbeat and the BNP

The first formal response in any complaints procedure is the “disappointing brush-off”. My brush-off from Newsbeat arrived yesterday. Understandably, it’s a form email designed to cover all the objections received to the BNP interviews. Less understandably, the reply only refers to the radio version of the story: my complaint was specifically addressed to the online transcript.

On the 853 blog, Daryl points out that this shows a failure to understand the difference between radio and internet journalism:

what Rod McKenzie and his team at Newsbeat need to realise that while radio is a wonderful, intimate medium, it is transient. That lovingly-crafted audio piece will be forgotten next week. But that lazily slapped-up Q&A with the two “young BNP members” will still be there next week. And the week after. And next year. And it carries the BBC logo, so people around the world will think this is quality journalism – slurring the many excellent reporters I worked with in my decade there.

853, “BBC’s website cosies up to bigots”

Furthermore, my complaint was about two specific instances in which the BNP’s false and bigoted reasoning was allowed to stand as fact: the false analogy between species and race, and the untruth about Ashley Cole’s birthplace. It wasn’t a blanket objection to coverage of the BNP. But Rod McKenzie’s reply doesn’t address those issues, it only asserts that Newsbeat has a duty to cover the BNP – which is puzzling, given that I never claimed otherwise.

It’s confounding to be presented with an editor who seems unable to acknowledge that, as well as deciding whether or not to cover an issue, his journalists have the capacity to cover something well or (as in this case) very badly indeed. McKenzie presents editing in this email as a matter of inclusion or omission, not quality control.

Underlining the slightly patronising tone is McKenzie’s expectation that those who complain about the piece would be shocked to discover that the BNP has support: “This may surprise you, but a great many texts we received yesterday – were broadly supportive of the BNP.” (It’s the dash he slips in to anticipate my astonished pause that really aggravates me here.) Whereas it’s that kind of positive reaction to the propagandising Newsbeat interview that many of the complainants will have anticipated, and feared.

After the jump: McKenzie’s reply in full Continue reading

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BBC fails on BNP: AVERT PANDICIDAL CRARROW CRISIS NOW!

Newsbeat BNP grabBBC journalism often excels its commercial rivals. For detail, depth and balance, it’s easily my preferred source on many stories. Within a year, we’re very likely to have a Conservative government which has already declared itself hostile to the BBC; as Johann Hari points out, it’s probably more important than ever that the BBC’s supporters proclaim its strengths as often as they can.

It’s also more important than ever for the BBC to display those strengths. But this Newsbeat interview with two BNP activists shows that the corporation is as capable of slack, sloppy, damaging journalism as any other organisation. Roy Greenslade goes over the major flaws in his media column for the Guardian, but it comes down to a willingness to accept and republish BNP beliefs on their own terms, rather than do the dirty work of challenging them.

When the two activists compare white British people with endangered species such as the giant panda, interviewer Debbie Randle timorously suggests, “But we’re the same species which makes it a bit different, doesn’t it?” The BNP supporters reply with:

You could say that but if all of a sudden there weren’t any sparrows and there were only crows, I’d still be sad there weren’t any sparrows.

This not only fails to address Randle’s wholly accurate comment about species, it also repeats the fallacy by using two different species to represent white people in opposition to people of all other races (who are the crows here, presumably because BNP voters think Dumbo is a good treatment of racial politics). Randle doesn’t ask what would happen if the crows and the sparrows were able to mate and breed, or how the crows are going to kill the pandas. The reiterated statement is allowed to pass, and then published unchallenged on the BBC website.

According to the bit.ly link, this article was originally titled “Young BNP members explain beliefs”. It now appears as “BNP members challenged on beliefs” – suggesting that someone in the editorial process realised that inviting the BNP to “explain” their racism really wasn’t going to pass as a probing piece of journalism.

debbie randle status

However, the journalist responsible seems to consider her work acceptable – on the left is a screengrab of a Twitter update, in which she suggests that it’s unfair to judge the interview on the basis of the edited version on the website.

And her editor, Rod McKenzie, is just as clueless: in a post on The Editors (the internal watchdog of BBC news), he argues that the fact that Newsbeat received texts and emails supportive of the BNP shows he was right to publicise their views in this way.

This shrugging off of journalistic responsibility sits badly with my inclination to admire and cherish BBC news. Richard Sambrook, director of BBC Global News, takes the name of his personal blog from the CP Scott dictum, “comment is free, but facts are sacred.” Randle and McKenzie have allowed the BNP’s comment to suffocate facts here: white people aren’t endangered, white and non-white are not different species, Ashley Cole was born in the UK, and so endlessly on.

The Newsbeat interview might be helpful as evidence that the BBC isn’t a fulminating hive of left-wingery; as evidence of the corporation’s newsgathering and reporting prowess, it’s devastatingly poor. Complain to the BBC at this link.

Related: Pickled Politics, “The BBC continues pandering to the BNP”

Text © Sarah Ditum, 2009. Post title by Louise Johnson.

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[Comment is Free] A crafty way to educate children

If you’ve had a look at my Writing page, then you’ve probably noticed that I have a bit of a thing for crafts. And now Comment is Free at the Guardian has provided me with a platform to declare my love of making stuff, and my hope that more schools will give their pupils the opportunity to learn practical skills:

The idea that an education should train your hands as well as your head has been consistently chipped away at over the last 30 years. Up until 1975, UK secondary schools offered pupils training in home economics and textiles (for the girls) and woodwork and metalwork (for the boys). The Sex Discrimination Act banned gender-specific classes and helped to undermine the stringent channelling of children into “domestic” or “labouring” futures, but it also – as Joanna Turney explains in a recent book – forced schools to compress craft education into nothing more than a set of “taster classes”.

To find out what I think about craft and class, the domestic in drag, and how compulsory metalwork can be a progressive force (YES IT CAN) – read the rest of the article…

Text © Sarah Ditum, 2009

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The Tories, the Mail and the homophobes

The Daily Mail would like its readers to consider homosexuality. In particular, the Ephraim Hardcastle column invites you to reflect on Iain Dale, prospective Tory candidate for Bracknell, in light of his sexuality – “overtly gay”, because in Mail-land the appropriate attitude for gayness is “closeted and depressed”. But there’s more! “Overtly gay” Iain has invited other gays to participate in the political process by giving an interview to PinkNews. “Isn’t it charming how homosexuals rally like-minded chaps to their cause?” sniffs Hardcastle, because the Mail just knows that these gays keep their politics in their jeans’ back pocket.

I hope Iain and his readers will be successful in registering their polite disgust with the newspaper’s editors. And maybe, having been roused to concern over the malign influence of homophobia in politics, they’ll also question their party’s associations in Europe and the alliances that have been formed with overtly gay-hating political groups – although Iain has seemed pretty sanguine about that so far. Maybe they’ll even decide that ad-hom attacks are off-limits, or that tabloid reporting is broken and unreliable. Maybe. But for now, good luck with those complaints.

Text © Sarah Ditum, 2009

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