Pirate Bay trial ends in a guilty verdict, after the prosecution dropped half the original charges and rephrased the remainder to fit in with an understanding of how the site actually worked. It’s a qualified victory for the music industry, and the comment from the International Federation Of The Phonographic Industry (“It would have been very difficult to put on a brave face if we had lost, but this verdict sends a strong educational and deterrent message”) is wringing with relief. Guardian blogger Jack Schofield wonders if Google will be next, and is quite keen that it is: “Still, it would be interesting to see Larry Page, Sergey Brin and Eric Schmidt jailed as well.”
There’s quite a high-powered crowd of media people who seem to share Schofield’s interest:
Rupert Murdoch accused Google in a speech of “stealing copyrights.” Wall Street Journal Managing Editor Robert Thomson called Google and other aggregators “parasites or tapeworms,” charging Google and other unnamed aggregators with the crime of “encouraging promiscuity” (managing to combine fear of Google and fear of sex, in what could be a model platform for the Republican Party in 2010).
For people who publish the news, Murdoch and Thomson don’t seem to read an awful lot of it: the track record of efforts to prosecute the sharing of copyrighted information is supremely lousy. Taking down file-sharing individuals and facilitating websites hasn’t stopped other individuals and new websites from using the same technology (and more ferociously), and since text is even easier to copy and transmit than music and movies, it’s even less likely that squeezing a search engine will have any permanent effect.
And what about that “educational message” the IFPI was so pleased with? The hope of copyright holders is to teach their potential audience that everything they read, see or hear has to be paid for: it’s an incredibly mean message and one that’s totally opposed to the nature of culture and information. Like almost everyone, I’ve exchanged CDs and mixtapes, loaned books and DVDs, shared newspapers – because when something is exciting or important, you want to share it. There’s an obvious quantitative difference in digital reproduction, but qualitatively, it feels like sharing and not stealing. By trying to stick a price on everything, copyright holders risk sucking the value out of their own product.